Loud Noise and Pictures

Music and Photo Blog. It’s a new concept, so bear with it…

Posts Tagged ‘Guns ‘n’ Roses

2008: An Aural Journey

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I’m not gonna sit down and do a “Top Albums of 2008” type list – I didnt listen to nearly enough albums to make judgement calls. Case in point – my former country music loving little sister recommended Fleet Foxes album to me ages ago and I still havent given it a spin, despite Nath raving about it (see previous post).

So instead, I’ll simply list a heap of albums I gave a bit of a spin this year and how they struck me…

Motley Crue – Saints of Los Angeles
This didnt get much of a rotation. The music sounded as good as ever, but the lyrics were for the most part laughable glimpses of what was for the bad boys of old.

The Drones – Havilah
Kinda disappointed I hadn’t discovered these guys earlier. Listening to this album made for a damn good drive to Sydney one day. Sounded like if Tom Waits singing old colonial Australian tunes.

The Ting Tings – We Started Nothing
I kinda liked ‘Thats Not My Name’ then I got sick of it. Then I heard the whole album and kinda dug it all. Not great, but I’ve enjoyed it when I’ve had it on this year.

Bliss ‘n Eso – Flying Colours
Aussie Hip-Hop certainly is gaining momentum, and this got a good solid months workout in my car. Several standout tracks and a little filler. Bullet and a Target was one of my favourite songs all year.

Tame Impala – Antares Mira Sun
Nath had hyped these kids up something fierce – and they delivered. Shame its such a short EP/LP/Whatever. Swirling 60’s inspired psychodelia, and other cliches – long story short, I loved it.

The Living End – White Noise
If youve heard The Living End before, you know what to expect from this album. You can listen to it (especially when the singles come on the radio) but its a bit of a trek to get throught the whole CD.

Ladyhawke – Ladyhawke
‘Paris Is Burning’ certainly piqued my interest in Ladyhawke, but when I put the album on, it was pretty disappointing. There was one or two other songs that were ok, but the album was not what I was expecting.

Empire of The Sun – Walking on A Dream
I listened to the whole album on www.thevine.com.au and it was ok. That whole retro-revamped 80’s sound got really old really quick as this album got on. Can’t say I’d rush out to get it.

Sparkadia – Postcards
Ok, anyone who knows me, knows that I am a big fan of these guys. Postcards has never been too far from my ears since it was released. Its even better live – go see a Sparkadia show – then you’ll know.

Eagles of Death Metal – Heart On
It’s funny, this album doesn’t sound that different from their others. But it doesnt make this seem old, it just makes the others seem timeless. Good hard rockin’ party tunes-a-plenty. Lovin’ it!

Kings of Leon – Only By The Night
My first listen, I hated this album. Since then it has become my most listened to album of ’08. Sure its not the gritty southern alt-rock of the previous efforts, but it’s darn catchy. It’s another case of indie-rock band loses indie rock cred when too many indie kids make them so popular non indie kids love ’em and they are no longer indie.

Metallica – Death Magnetic
Thank god for Rick Rubin. Metallica return to their roots with some decent metal tunes. I listened to this album for about a month solid after it was released. Haven’t really had it on since.

Portishead – Third
Listening to Third only made me want to listen to old Portishead. Third is ok, but – you know. It’s no Dummy.

The Black Keys – Attack and Release
Same could be said for this effort. The ‘drum and guitar’ staples from the Akron, OH boys got a working over by Dangermouse and the addition of a few other instruments. I dont think they really needed it. I haven’t listened to this as much as I did Rubber Factory.

MGMT – Oracular Spectacular
By the time I got around to listening to this, I think I was nearly sick of the singles. Its a shame, cos its a pretty decent album. I just wish it didnt inspire more flouro clad freaks at festivals to look and act weirder than normal.

Tapes ‘n Tapes – Walk it Off
A pretty underrated album with a pretty understated sound. It’s not the best thing you’ll hear all year, but there is plenty of worse albums getting alot more play – which I’m afraid to say is also the case in my collection.

Smashing Pumpkins – American Gothic
Ok – you thought I liked Sparkadia! Seriously, this is a sweet and pretty piano driven EP that if you’ve seen their recently released doco ‘If All Goes Wrong’ you’ll understand where the songs come from, but scratch your head why the other dozen of similar sounding, equally great songs were omitted.

Guns ‘n’ Roses – Chinese Democracy
Has anyone bought this? Serously. Does anyone care?


Chinese Democracy – It Lives!

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Is it because of the Olympics that Axl decided now would be a good time to release the album? Should have done it 08.08.08 dude…

Clicketh here and relive 1992 in all it’s glory.

Just make sure you make it through the wanky opening, because it gets A-MAZ-ING. I would have said that this album would have sucked, and it probably will, but at least it can get me excited. No, not like that.

Picture with Robin Finck only because of the Nine Inch Nails connection.

Written by saimagery

October 23, 2008 at 12:39 am

The Fumes

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Just last night I was wondering what was going on with my favourite bluesy two piece around, The Fumes.

If you haven’t heard these guys, hunt down Guns of Gold this weekend and sit in the sun with your girlfriend/boyfriend wearing your tightest black jeans and some short sleeve plaid shirt/singlet, drinking beers ever so slowly. It’s what I’ll be doing, only without the girlfriend/boyfriend.

Anyway, whilst flicking through a Drum Media at work, I saw that they’re about to head into the studio to record their sophomore LP with Jim Fucking Diamond, and are playing one last show tomorrow (Saturday 11th) at Manly Fisho’s. If you’re in the area, go see them. You’ll love it.

Last time I saw them was supporting Queens of the StoneAge at Luna Park in March and they blew me away (again). Can’t wait for their new album.


Also, keep late november free in your diaries…

Written by saimagery

October 10, 2008 at 1:05 am

The Follow – Here, There and Everywhere!

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Despite some limited success and a few shows supporting big names like Sonic Youth, Eskimo Joe and Nine Inch Nails, The Follow are still one of Australia’s best kept secrets. They have recently returned from the United States, playing shows throughout L.A. and New York, recording with producer Nick Launay (Silverchair, Arcade Fire, Nick Cave) and generally spreading Followy goodness across America.

Between houses, between countries, between shows and between recording sessions, Azaria, The Follow’s guitarist/vocalist allowed us to quiz him on the bands travels and upcoming album. 

Loud Noise and Pictures: The Folow’s line up has seen a few different faces come and go since the last album, how is the band’s chemistry at the moment?

Azaria: Well the first album was recorded by me alone. I then got my close friends from high school to join the band and make the album come alive. Since then until now, we have put out an EP through Warner and toured with NIN, Sonic Youth and Amanda Palmer [Dresden Dolls], and touring up and down the east coast of Australia for 3 years. Released and toured ‘Smashed Heart’ in the UK and toured America… You’re bound to lose a member or two after all that. However the band is at its strongest at this point in time because we’ve been lucky to have found people who can sustain the road and maintain the ability to have a creative journey. Its been five year’s and I guess KJ (bass and Vocals) and I are the original members still standing.  We’re really proud of everything we’ve been through. Our latest guitarist Jak was our guitar tech who toured with us for a year, and naturally, joined when it was time. And we met our new drummer (Steven) in NYC when we toured there.


LNaP: What were you expecting to happen when you headed over to America? And did everything live up to expectations?
Azaria: We expected just to play a few shows, maybe get an agent or a manager as we’re in between management at the moment – and to record with Nick Launay. The States gave us more then we had expected. We’re releasing a new EP from America to everywhere in the world except for Australia/New Zealand (as Warner owns the rights to release us here). We recorded ‘Love Bomb Revolution’ and a new song called ‘Break’. We found many management offers and agent offers after playing a few shows. But the best thing was all the help and love our fans gave us. From accommodation, to lending us a BMW – thank you. There was something for us to do every night in Los Angeles. It was a fun trip.


LNaP: How receptive were the U.S audiences? How different is the Australian scene to the U.S. scene?
Azaria: The Australian scene has always been welcoming to us. I guess the only difference is that there s more people over there. And you could play every night around California and meet new people and scenes. Where as in Australia, a band like ours could only really play once a month in every major city in Australia. The main reason we found ourselves in L.A. was because of the support that Nick Launay has given us and gave us when we were over there.


LNaP: Was there a great deal of difference between the New York and L.A. crowds? Which was better to play for?
Azaria: Well we played 6 shows in 5 days. On our last night we played in NYC and we jumped in the cab to go to our next show in Brooklyn. Everyone from the first show came across the bridge with us, even the bar guy. The Brooklyn show was on at 1pm on a Sunday night and the place was packed. We made some loyal fans in NYC. And I got to meet Anton [Newcombe] from The Brian Jonestown Massacre and he gave me his red glasses. It’s nice to see the world through another’s perspective.


LNaP: Did you get to play with any good bands audiences may not be aware of? Did you happen to play with any bands that we may already know?

Azaria: Yes we played one show in N.Y.C. and L.A. with The Veronicas. They are more underground over in the States and it went down well. That was fun and they’re such a good band. We played a show with Dizzy’s band from Guns ‘n’ Roses too. We played about 15 shows all up over there; we were more concentrating on our recording. But were lucky to pick up the shows we did along the way


LNaP: How is it coming back to Australia? Does it feel like its good to be home, or do you wanna go back to the circus?
Azaria: We have a lot of people back here that we dearly missed, so it’s been good meeting up with them. We’re just taking things a bit easy here and not playing shows. We’re kind of homeless at the moment, Jak’s in Newtown borrowing a room, KJ’s out of town and I’m in Brisbane visiting my granny. Being scattered around has been fun but we’re looking forward to going back to the states in a month to complete our recordings and play more shows.


LNaP: You’re playing again soon in Brisbane, has The Follow’s live shows changed at all since you last played on Australian soil?
I was just doing an acoustic show. But I think every time we tour we learn something new and refine our show. Plus we have lots of new songs now.


LNaP: The Follow has been recording again with Nick Launay, how is it different this time around?
Azaria: It’s more focus and from both sides we’re working faster and creating more than before. We have developed a really good relationship with him inside and outside of the studio and recording process. So we have become very comfortable with him. And like a film maker loves to film on film rather then digital, we are the same in that since recording with Nick both times, we’ve recorded live as a band to tape. It’s all sounding better then ever, because the band’s at its strongest level then it’s ever been.


LNaP: What can we expect from the new album – and more importantly – when can we expect it to be released?
Azaria:  I’d say it will probably be out in the States before Australia. Early next year we think. But it has a very focused direction, unlike the schizophrenic first album, I guess playing for so long, we’ve kind of developed our own thing now. We still try new things, but the first album was like every idea into 12 songs. It kind of sounded like a compilation album. But I was young and had a million ideas. And I’m glad I got it out of my system back then.


LNaP: In the past you’ve performed on stage with Amanda Palmer (from The Dresden Dolls), how did that come about – and who else would you love to perform alongside with?
I’m actually playing a solo acoustic show in  Los Angeles with her next month…like Trent [Reznor] from NIN someone had played our music to her and Amanda contacted us through a friend. She’s the kind of artist that picks and chooses who she wants to play with. Which is refreshing because mainly agents decide, but we have been lucky, Sonic Youth, NIN and Amanda Palmer have all hand picked us to play with them. And we are very honored of course… we’d love to play with the Yeah Yeah Yeah’s, KJ wants Hole to get back together (me too) but it can t be 1995 forever.  Nick Cave is touring America later this year too. But he always gets a more subdued band to support him. But a kid can dream. We’re just dreaming and liking reality of a dream…


LNaP: What are The Follow’s plans for the rest of the year?
Azaria: We’re going back to America to finish our album and get it ready to release and we’ll be back in Australia for a tour in December.


Plenty of kind thoughts go out to Azaria for his time and effort.
I strongly recommend you all Follow your heART and see the band in action if you are in the Brisbanian or Californian regions – and keep an eye and an ear out for their new album when it drops.

Jul 4 2008 8:00P
The Living Room Brisbane, Queensland
Aug 9 2008 10:00P
Bar Sinister hollywood, California


 More Cowbell!